Untrue Museum is not a series, a project, or a finished work. It is a compositional field shaped through interference, where rhythm replaces structure and presence overrides clean output.
In this exhibition, AI is not a tool but a volatile substance: pushed until it resists, glitched, layered, and looped into something unstable yet physical.
Scerbo explores “ideas that couldn’t be realized” in usual contexts such as performances, installations, and spatial structures stripped of material but charged with reflective intensity.
These images are not representations; they are echoes of imagined gestures in hypothetical spaces. They are metamorphoses in motion, evolving within unknown, abstract dimensions.
His method resembles sound production more than visual planning: reactive, unscripted, non-linear.
In his debut exhibition in the region at Foundry Downtown, he blends AI-generated visuals, sampled voice, broken audio, and system fragments to disrupt institutional clarity and expose fractures within a dimension suspended between figuration, abstraction, and the absurd.
The museum appears, then slips > A shadow fractures > A glitch anchors.
Untrue Museum is an embodied archive of latency, a refusal of resolution, and an invitation into a space where structure collapses and the artwork begins precisely when logic fails.